Ridley Scott

  • Ridley Scott’s “A Good Year” (2006)

    At sixty-nine years of age, and with fourteen feature films under his belt, director Ridley Scott had seemingly done everything there was to do.  He had directed lavish historical epics, groundbreaking science fiction adventures, pulpy action thrillers, and even the occasional fleet-footed caper or two.  There was perhaps one blind spot left— one that nobody…

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  • Ridley Scott’s “Kingdom Of Heaven” (2005)

    The cinematic landscape is littered with the ruins of would-be classics, embarked upon by well-intentioned filmmakers who nevertheless couldn’t rise to the task.  As much as we like to attribute a technical or industrial quality to the act of filmmaking, we tend to forget its volatile and unpredictable nature as an artistic medium.  Indeed, each…

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  • Ridley Scott’s “Matchstick Men” (2003)

    Notable Festivals: Venice Shortly after the conclusion of his ambitious anti-war/pro-military action drama, BLACK HAWK DOWN (2001), director Sir Ridley Scott began development on another ambitious effort titled TRIPOLI.  Written by William Monaghan of THE DEPARTED (2006) fame, TRIPOLI was to be a sweeping period epic in the vein of GLADIATOR (2000), whereby Russell Crowe…

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  • Ridley Scott’s “Black Hawk Down” (2001)

    Still riding high off the success of GLADIATOR (2000), director Ridley Scott found his filmmaking services more in demand than ever, jumping from one production to the next with barely a beat between them to catch his breath.  His name had become synonymous with both awards prestige and financial success, so naturally every producer in…

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  • Ridley Scott’s “Hannibal” (2001)

    In the annals of silver screen monsters, few loom as terrifyingly large as one Dr. Hannibal Lecter, the infamous cannibal, murderer, and psychopathic genius.  First introduced to film audiences by way of Brian Cox in Michael Mann’s MANHUNTER (1986), the character didn’t really take our collective fear hostage until Sir Anthony Hopkins stepped into the…

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  • Ridley Scott’s “Gladiator” (2000)

    Academy Award Wins: Best Picture, Best Actor, Best Costume Design, Best Sound, Best Visual Effects The late 90’s and early 2000’s were watershed years for American cinema, ushering in a new age of gigantic studio spectacles following the imagination-shattering release of Steven Spielberg’s JURASSIC PARK in 1993.  Cinema had been nicknamed “The Dream Factory” for…

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  • Ridley Scott’s “G.I. Jane” (1997)

    The 1990’s were a golden age for brawny, high-octane action films made by directors with a distinct visual style.  Before the dull sheen of computer-generated effects brought their cartoonish rag-doll physics to the fore, these films relied on massive pyrotechnics and even bigger biceps to pump up the audience’s heart rate.  The bombastic patriotism of…

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  • Ridley Scott’s “White Squall” (1996)

    As he rapidly approached his sixtieth birthday, director Ridley Scott found himself the subject of attention usually reserved for the occasion of one’s imminent retirement.  For instance, 1995 would see Scott and his brother, Tony, receive the equivalent of a lifetime achievement award in the form of a BAFTA for their Outstanding British Contribution to…

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  • Ridley Scott’s Midland Bank: “The Power Of Listening” Commercial (1993)

    In 1993, director Ridley Scott delivered his latest high-profile entry in his long & celebrated career in the commercial field.  Commissioned by British banking giant Midland Bank, “THE POWER OF LISTENING” details a simple, yet exceedingly elegant concept that ties together the sweeping scope of human history through the most universal language of all: music.…

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  • Ridley Scott’s “1492: Conquest Of Paradise” (1992)

    I can still remember that song— the one we were compelled by our grade school teachers to sing every year on one particular day in October.  “In August 1492, Columbus sailed the ocean blue”. It’s understandable that the story of Christopher Columbus, the famed Spanish explorer, would be simplified and sanitized for elementary-aged minds as…

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  • Ridley Scott’s “Thelma & Louise” (1991)

    Inducted into the National Film Registry in 2016 Notable Festivals: Cannes (Out of Competition) A good friend once likened a director’s cultural relevance to a tuning fork— after so many strikes, the fork can begin straying from perfect pitch.  Similarly, a director can deliver a number of films that strike a chord with audiences before…

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  • Ridley Scott’s Nissan: “Turbo Dream” Commercial (1990)

    As a filmmaker who works as prominently in the commercial world as he does in the theatrical narrative forum, director Sir Ridley Scott unsurprisingly boasts several Super Bowl spots to his name.  These supersized, lavishly-budgeted works of advertising represent something of a pinnacle for the form, enduring in the cultural conversation for far longer than…

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